Wednesday 17 September 2014

HAIR & BEAUTY SPRING/SUMMER 2015

Ashish had an all-black model line-up who looked like "showgirls without the drag". This is a party look we're down with. Maybelline's Sharon Dowsett created otherworldly eyes with crystals bordering the bottom lash lines and gem-encrusted chaos on the top. Nails and hair matched to ensure the sparkle showed from head-to-toe, with embellished "Cosmic Cluster" nail art and hairstylist Ali Pirzadeh adding tinsel wefts to the models' hair. Amazing. 
ASHISH

Ashish had an all-black model line-up who looked like "showgirls without the drag". This is a party look we're down with. Maybelline's Sharon Dowsett created otherworldly eyes with crystals bordering the bottom lash lines and gem-encrusted chaos on the top. Nails and hair matched to ensure the sparkle showed from head-to-toe, with embellished "Cosmic Cluster" nail art and hairstylist Ali Pirzadeh adding tinsel wefts to the models' hair. Amazing. 

"Fresh faced, iridescent and luminous" is how Lucia Pieroni described this minimal makeup look and her glowy skin trick is to mix the Pure Radiant Tinted Moisturizer with the Optimal Brightening Concentrate, both by NARS. Nuances of makeup – barely there in this case – instantly make you look healthier in an effortless way. The hair trend at Christopher Kane was similarly fuss-free. Redken Global Styling Director Guido did a natural down 'do with finger partings. 
CHRISTOPHER KANE

"Fresh faced, iridescent and luminous" is how Lucia Pieroni described this minimal makeup look and her glowy skin trick is to mix the Pure Radiant Tinted Moisturizer with the Optimal Brightening Concentrate, both by NARS. Nuances of makeup – barely there in this case – instantly make you look healthier in an effortless way. The hair trend at Christopher Kane was similarly fuss-free. Redken Global Styling Director Guido did a natural down 'do with finger partings. 

Honey skin, tawny eyes and ruby red lips were the lust-worthy looks created by Burberry Makeup Artistic Consultant Wendy Rowe. Proving the classic lip look is far from dated, we're all shopping Burb's Lip Cover in Ruby No.18 for a power pout ourselves. Jourdan Dunn, here we come.
BURBERRY PRORSUM

Honey skin, tawny eyes and ruby red lips were the lust-worthy looks created by Burberry Makeup Artistic Consultant Wendy Rowe. Proving the classic lip look is far from dated, we're all shopping Burb's Lip Cover in Ruby No.18 for a power pout ourselves. Jourdan Dunn.

Makeup artist Val Garland says this look is "romantic, beautifully organic with a dewy complexion". The girls had soft rose blush created with NARS Multiple sticks and stained lips with deep centres. The hair by Anthony Turner of L'Oreal Professionnel was thick, long and luxe-looking. The braids had strong centre partings and concealed the tops of the ears.
ERDEM

Makeup artist Val Garland says this look is "romantic, beautifully organic with a dewy complexion". The girls had soft rose blush created with NARS Multiple sticks and stained lips with deep centres. The hair by Anthony Turner of L'Oreal Professionnel was thick, long and luxe-looking. The braids had strong centre partings and concealed the tops of the ears.  

We adore these 'Woodstock Waves', loaded with Toni & Guy Hair Meet Wardrobe Glamour 3D Volumiser and randomly twirled around a jumbo tong. Bring on festival season! The bohemian eyeliner was created using the new Revlon Skinny Liner. We want.
MARCHESA 

'Woodstock Waves', loaded with Toni & Guy Hair Meet Wardrobe Glamour 3D Volumiser and randomly twirled around a jumbo tong. Bring on festival season! The bohemian eyeliner was created using the new Revlon Skinny Liner.

Makeup artist Attracta Courtney described this as "60's dreaminess captured under a soft focused Instagram lens" – we want in! She used the Bourjois Quad Eyeshadow palette in Over Rose to create the bright eyelids and semi-circle socket lines and the Bourjois Volume Glamour Push up Mascara for those Twiggy-esque fat lashes. Dolly beauty at its coolest.
ORLA KIELY

Makeup artist Attracta Courtney described this as "60's dreaminess captured under a soft focused Instagram lens" – we want in! She used the Bourjois Quad Eyeshadow palette in Over Rose to create the bright eyelids and semi-circle socket lines and the Bourjois Volume Glamour Push up Mascara for those Twiggy-esque fat lashes. 

Meet the 'new mohawk', made of multiple knots and a spiky fringe described as "Bijork at an 80s rave" by hairstylist Guido Palau. Cool!
MARC BY MARC JACOBS

Meet the 'new mohawk', made of multiple knots and a spiky fringe described as "Bijork at an 80s rave" by hairstylist Guido Palau. 

Makeup legend Charlotte Tilbury layered shades of Benefit's Cream Eye Shadows using Always a Bridesmaid all over lid (blending up to the brow and under the lower lash line) and Holy Smokes, which was heavily applied on the centre of the lid to create a hibiscus flower effect. She finished with a slick of They're Real! Push-Up Liner just along the top lash line and two coats of They're Real Mascara on the top and bottom lashes. Hair was loaded with Toni & Guy Hair Meet Wardrobe Prep Volume Plumping Mousse, blow-dried, tonged and pin-curled for that bombshell 70s wave.
MATTHEW WILLIAMSON

 

Makeup legend Charlotte Tilbury layered shades of Benefit's Cream Eye Shadows using Always a Bridesmaid all over lid (blending up to the brow and under the lower lash line) and Holy Smokes, which was heavily applied on the centre of the lid to create a hibiscus flower effect. She finished with a slick of They're Real! Push-Up Liner just along the top lash line and two coats of They're Real Mascara on the top and bottom lashes. Hair was loaded with Toni & Guy Hair Meet Wardrobe Prep Volume Plumping Mousse, blow-dried, tonged and pin-curled for that bombshell 70's wave.
 
 
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